Factory Methods of the Vintage Era No. 19: Singer

Browse pages
Current page

1

Current page

2

Current page

3

Current page

4

Current page

5

Current page

6

Current page

7

Current page

8

Current page

9

Current page

10

Current page

11

Current page

12

Current page

13

Current page

14

Current page

15

Current page

16

Current page

17

Current page

18

Current page

19

Current page

20

Current page

21

Current page

22

Current page

23

Current page

24

Current page

25

Current page

26

Current page

27

Current page

28

Current page

29

Current page

30

Current page

31

Current page

32

Current page

33

Current page

34

Current page

35

Current page

36

Current page

37

Current page

38

Current page

39

Current page

40

Current page

41

Current page

42

Current page

43

Current page

44

Current page

45

Current page

46

Current page

47

Current page

48

Current page

49

Current page

50

Current page

51

Current page

52

Current page

53

Current page

54

Current page

55

Current page

56

Current page

57

Current page

58

Current page

59

Current page

60

Current page

61

Current page

62

Current page

63

Current page

64

Current page

65

Current page

66

Current page

67

Current page

68

Current page

69

Current page

70

Current page

71

Current page

72

Current page

73

Current page

74

Current page

75

Current page

76

Current page

77

Current page

78

Current page

79

Current page

80

Current page

81

Current page

82

Current page

83

Current page

84

Current page

85

Current page

86

Current page

87

Current page

88

Current page

89

Current page

90

Current page

91

Current page

92

Current page

93

Current page

94

Current page

95

Current page

96

Current page

97

Current page

98

Current page

99

Current page

100

In the summer of 1920, with the war over and things improving, the Singer Ten was a popular small-car which was seen in its share of competition events. The post-war model had far more of its parts produced on presses instead of being cast and machined. The presses at Coventry dealt with clutch components, brake drums, radiator shells and the control levers and even the Singer name-plate for the radiator was now part of the radiator pressing, whereas in the earlier cars it was a separate plate, riveted on.

Singer & Co. had very recently installed a die-casting plant for quickly turning out parts and another idea they had introduced to cope with the prevailing high cost of manual labour (there is a familiar ring, here!) was an electrically-driven tyre pump which was able to inflate a tyre to 50 lb./sq. in. in a matter of 30 seconds.

The factory was not then a large one, covering but a few acres and employing less than 1,000 hands, but the output of Singer Tens was said to be 40 to 50 a week. Production was, even so, restricted because outside supplies were difficult to obtain on time, particularly springs. The mechanics were paid on piecework and many of those on full time were earning £7 to £8 a week— about £35 to £40 a week or thereabouts by present-day values, or maybe more. Storemen and others who were not productive were given a bonus based on the weekly output of cars. Engines were tested in batches, being run first for four hours while driven by belting and then for a further four hours under power. After installation in a chassis a road-test of some 100 miles was undertaken, in several stages, while checks were made.

In the Spring of 1920 Singer’s had installed their own aluminium and brass foundry, a reflection on the difficulty of obtaining supplies from outside sources, and the anxiety over another moulders’ strike. This was working satisfactorily, keeping up with car output, and the foundry was to be extended so that cylinder blocks could be cast in the factory.

In 1920 Singer was concentrating on production but an active competition season was contemplated the following year. True, a sports-model Singer Ten was listed, but it was identical to the standard cars and its output was only about one-tenth of that of the other models. The body was lighter and more sporting than the normal two-seater but that was all, although some louvres in the bonnet were an anticipated improvement!

—W.B.